As Hommés Studio knows that you miss traveling and getting to know new cultures and countries, it has selected 13 top design hotels to travel to in 2021.
The year 2020 was a bit controversial when it came to travel. However, while most of us have put travel plans aside in recent months, hotels around the world have worked hard to make spaces safer.
The hotel Six Senses Shaharut is one of the top design hotels. Covers 18 hectares in the tiny desert community of Shaharut.
This hotel’s materiality riffs off structures built by the nomadic Nabataean tribe, which stayed in the area over 2,000 years ago.
Plesner Architects, the studio who built this hotel, partially buried many of the buildings into the ground and built them with rough-hewn limestone and flint excavated from the place. Also, thatched roofs, outdoor walkways, and swimming pools.
The design is intended as a modern interpretation of architecture from the region’s ancient civilizations.
The property’s design results from a dialogue between protecting and taking advantage of the location’s unique characteristics. Which together build the memory and experience of visiting the Negev.
Local artisans also worked on the Six Senses hotel, including carpenters, welders, and masons.
All hotel suites have private patios. Moreover, the villa offers indoor living rooms and private swimming pools.
The interiors have a minimal, pale aesthetic with white linens, plaster walls, and sliding glass doors to usher in views of the desert.
Several doors were custom-made from teak that was rescued from houses, boats, and footbridges.
Six Senses Shaharut is complete with several restaurants, a spa, hammam, indoor pool, outdoor lap pool, gym, and yoga studio.
Called Monte Uzulu, the hotel is located in San Agustinillo, a small fishing village and beach in Oaxaca, Mexico. Mexican studios Taller Lu’um and At-te designed this boutique hotel to showcase local craft with earthen walls, doors made from local wood, and a thatched roof.
Its name comes from the word gusulú, which means the start/beginning in the language of the Zapotec people indigenous to the region.
Drawing on this meaning, At-te Studio and design workshop Taller Lu’um modeled the hotels’ design to be closely tied to nature.
Located on a sandy hillside with the Pacific Ocean a short walk away, it is surrounded by trees that were kept to make the least environmental impact as possible.
The team aimed to use local and natural materials where possible, such as wood, soil, and dried palm leaves, to keep the hotel in “balance with nature.” Concrete walls are covered in a pink extract containing earth, lime and pigment mixed and applied by hand.
Montel Uzulu is also designed as an open-sided structure based on a palapa that is native to Western Mexico, which features adjustable wood walls and a thatched roof. The design is conducive to hot weather and promotes natural ventilation while shading harsh sunlight.
Measuring 723 square meters includes 11 guest suites and one master suite, each with a terrace overlooking the forest and ocean.
Inside, concrete walls are left exposed to match concrete floors, sinks, bathtubs, and showers.
Shelves and bed frames are also made with local wood and showcase handcraftsmanship, while lighting has shades related to the roofs.
Located among a strip of buildings that form the edge of the village of Odi, there is one of the best design hotels; the Saint Hotel steps down on a cliff by the sea.
Greek studio Kapsimalis Architects has transformed a group of former homes, barns, and basements on the island of Santorini into a hotel with rooms in caves.
Each level has open views of the island’s volcanic bay, with rooms dug into the steep hillside. Sixteen rooms accessible onto private terraces with pools and loungers, separated by bright white walls.
The rooms, pools, restaurants, spa, and gym are connected by a concrete stairway that winds its way through the location. Six of these hotel rooms occupy original and restored structures, while the remaining spaces have all been newly designed.
The techniques used are synthetic. That is, in terms of combining the new hotel complex in the old urban fabric and the volcanic landscape. This included the building’s structures, the geometric shapes, the human scale, the selection of materials, textures, color, and the new hotel functionality.
The original shape of the cave spaces has been maintained, along with the buildings’ distinctive white color. New angled walls follow the natural structures of the Saint Hotel place, focusing views towards the sea.
Connecting directly to the village via the reception, the angled walls subtly mediate guests’ degrees of privacy.
Alleyway-like spaces add privacy and connect the terraces and bedrooms. The hotel’s design and function can offer privacy to its guests, in case calm and isolation are needed.
Saint Hotel’s room’s interiors match the all-white exteriors. With the caves’ soft walls finished in white plaster for rooms decorated with simple and minimal decorations.
Pieces of shapeless furniture occupy the spaces, such as seating pods with hinged covers and circular sunshades that can be angled and rotated.
The hotel sits on a square in Lisbon’s old cultural quarter: beautiful and less gritty and touristy than the Chiado.
With several floors, the pink house was one of the few that survived the devastating earthquake of 1755. It is ancient and concrete walls that resonate tangibly with history.
The hotels’ design is an architect’s dream. There are only six rooms total in an 18th-century building that’s been painstakingly restored (think eggshell blue walls, limestone staircase, giant oil paintings leaning up against the wall).
It is part of the Silent Living family of properties known for their effortless and smooth interiors. In the room where breakfast and dinner are held, lights over the head illuminate heat pools on a long oak table by architect Manuel Aires Mateus; an oil painting richly textured on the wall adds color.
Upstairs, the rooms are minimalist. Open the curtains, enter the bathtub of open-plan carved from a piece of limestone.
Considered one of the top design hotels, the pleasure, and serenity of Hoshinoya sink into you from the start. At a property where you are more likely to hear the sound of the jungle than the residents of your neighboring villa.
The architect behind all Hoshinoya properties mixed the Japanese style’s simplicity with local tradition, creating earth structures with thatched roofs, designed to fade into the lush surroundings.
Outside, water drips and tingles everywhere refer to the moss-covered canals that water the surrounding terraces. Three long swimming channels connect the vast villages, which means each has its slice of swimming pool.
Luxury minimalism at its best. Beautiful wood and stone carvings can be found throughout the private and public areas of the resort.
Singita has earned its stellar reputation for managing the smoothest safari properties in Africa, and Pamushana is no exception.
Guests choose the Malilangwe Wildlife Reserve’s unrestricted biological scopes for extended, immersive stays and private animal sightings.
The suites at the top of the hotel hill have a breathtaking view of the Malilangwe Dam. The food is modern and from a sustainable source.
The recent remodeling gave the rooms a more modern vibe, with a simple and clean color palette of black, white, beige, and gold. The tree and rocks have been left where they are, and the hotel built around them.
A bathtub overlooking the deck and the tiled shower wall provides a splash of color. Two or three steps create different levels and the suite, separating the shower from the toilet and bidet and the bedroom from the living area.
It is rare to find such an old structure in this part of Australia, much less one that has had such an essential part of Perth’s history. These buildings served as treasury, post office, government offices, and the prime minister of Western Australia’s official office.
The lower floors house several of the city’s best restaurants, cafes, and bars – though connoisseurs take the elevator to the roof for a world-class Wildflower table.
The touch of architect Kerry Hill made all the difference in this hotel. The 48 rooms are radiant, pale, and serene. In what used to be colonial administrators’ domes, the underground spas are an unlikely setting for treatments by the wellness brand COMO. It is a glorious place, whatever the season.
As you approach the bay, the property looks as if it is slowly sprouting from the green earth to greet you. It is hard not to feel giddy stepping into this magical landscape.
Rosewood Little Dix Bay was opened in 1964. It is a hideout based on the simplicity of a beachcomber lifestyle. The host is an early advocate of conservation, and he imagined the hotel blending into the landscape.
The heart of the property remains the Pavilion, whose irregular conical roofs have withstood every hurricane for 57 years. It is home to an open-air bar, as well as two of the three restaurants.
The bedrooms are large and elegant. It has enormous bathrooms with large bathtubs and two outdoor showers. The modern mid-century vibe – the ocean’s vibe means many elegant lines, a palette of earth colors, and exposed stone walls with lots of driftwood, coral, and cloth baskets on the shelves.
Some rooms include private pools, and all suites have steps leading to the beach.
The 37th-floor lobby is like a gallery for the best angles in Tokyo. The lobby overlooks a massive space, with several floors in two directions – a western perspective recedes the check-in counter through windows from floor to ceiling. In contrast, the opposite frames spread east of Tokyo.
There are 12 restaurants: three have Michelin stars, and all attract local people. No matter what dish you have in front of you – it is all fantastic, and the views are everywhere from an endless forest of glass.
The bedrooms were remodeled in 2019. Interiors are massive, and rooms feel bigger than most suites, all outfitted in a neutral palette; light and clean-lined wooden bedside tables are built into the wall, as is a headboard that’s framed with hanging paper pendant lamps.
Opened in 2019 and owned by a Maldivian entrepreneur, the independent resort was created to offer a real “home away from home” experience.
The hotel design is luxurious with a bohemian personality and feels, thanks to the vibrant colors of the accent, miscellaneous decorative items, and curved lines.
There are 26 houses, and those on the water have a distinct advantage because they have a glass floor where it is possible to observe the turtles.
All houses have separate sleeping and living areas. Also, they have spacious decks and private pools.
From its prime spot on chic Faubourg Saint-Honoré, Le Bristol has since 1925 served as a center for a discerning international crowd, a favorite of everyone from Charlie Chaplin and Rita Hayworth to top fashion designers and photographers.
Spread out between the main building, the 190 rooms and suites are airy and spacious, with views of the grand avenue. The serene style comes courtesy of Louis XV- and Louis XVI-era furnishings, original paintings, antique mirrors, and designer fabrics, many in the hotel’s signature pink and green hues.
Le Bristol stayed open for all six years of a top-to-toe makeover completed in 2018, a changeover that included a new wing, new suites, and a refreshed decor.
The facade is deserving of landmark status, seamlessly blending in with the other baroque-style buildings around it.
The 21st-century version could not be more contemporary or refined—and the rooms are supremely comfortable. This is a building steeped in culture and history.
All rooms were tastefully decorated with neutral tones on the walls and furniture punctuated by accent colored-linens.
The view of some of the rooms is breathtaking, being possible to see St. Isaac’s Cathedral.
This hotel is one of the best design hotels. Was built in 1912 on Sunset Boulevard and has the best hotel design. Everyone has stayed at this hotel, from Charlie Chaplin and Grace Kelly to John and Yoko.
Over the last 100 years, it’s become a playground for the Hollywood elite, royalty from around the world, business people, and “normal” travelers, many of whom return year after year.
There are 208 guest rooms, including 23 bungalows, which were restored under the guidance of Alexandra Champalimaud. The bedrooms are bright and cheery but restrained, never flashy.
Next to the pool there is a covered bar and a terrace where guests can relax and have a refreshment overlooking the pool, the wonderful gardens and palm trees.
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